Through all he said, even through his appalling sentimentality, I was reminded of something - an elusive rhythm, a fragment of lost words, that I had heard somewhere long ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man's, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable for ever.
That's just... that's not even fair.
And then there's stuff like,
When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour, before we melted indistinguishably into it again.
Although curiously, while reading it I kept imagining Tom Hiddleston's Fitzgerald sitting somewhere writing it (he was not, after all, the most humble of writers) and congratulating himself. And that reminds me of a quote from Midnight in Paris' Hemingway that's quite fitting in these situations -
If it's bad, I'll hate it. If it's good, then I'll be envious and hate it even more. You don't want the opinion of another writer.
|Hemingway and Fitzgerald doing what writers do best - drinking wine.|
Music: I am a heart a heart, Watson. The rest of me is mere appendix - Forgive Durden